La musique en colère


First Edition

When music becomes a weapon, a way to resist or to mobilize for a cause stirring emotions and affects. Read More

National or revolutionary anthems, folk music of the Irish, Basque, or Kabyle, the civil rights movement in the rhythm of gospel, pacifist songs : no revolt, no social movement, seems possible to have taken place without a musical tradition.

This work analyzes the qualities that make music a powerful auxiliary of collective movements. Throughout the chapters, political leaders use musical arms, thinking of artists who embrace military issues, in the image of Béranger, Joan Baez, The Zebdas, Bob Geldof or the British groups Red Wedge or Rock Against Racism.

To finish, the author makes a full account of the diverse social uses of music, and of its capacity to oscillate between subversive protest and more or less conformist resignation.

Christophe Traïni, Doctor of Political Science, is Master of Conferences in Political Science at the IEP of Aix-en-Provence


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Specifications


Publisher
Presses de Sciences Po
Title Part
Numéro 3
Author
Christophe Traïni,
Collection
Contester
Language
French
Tags
, contentious politics
Publisher Category
> Political Science > Political Life
Publisher Category
> Sociology > Society
Publisher Category
> Political Science
Publisher Category
> Politics
Publisher Category
> Society
BISAC Subject Heading
POL000000 POLITICAL SCIENCE
Onix Audience Codes
01 General / trade
CLIL (Version 2013-2019)
3283 SCIENCES POLITIQUES
Title First Published
07 April 2008
Subject Scheme Identifier Code
Thema subject category: Politics and government

Paperback


Publication Date
07 April 2008
ISBN-13
978-2-7246-1061-1
Extent
Main content page count : 128
Code
978-2-7246-1061-1
Weight
140 grams
List Price
10.50 €
ONIX XML
Version 2.1, Version 3

ePub


Publication Date
07 April 2008
ISBN-13
9782724687132
Product Content
Text (eye-readable)
Extent
Main content page count : 128
Code
9782724687132
Technical Protection ebook
Adobe DRM
List Price
6.99 €
ONIX XML
Version 2.1, Version 3

Google Book Preview


Contents


Introduction DES MOBILISATIONS BIEN ORCHESTRÉES

Chapitre 1 CONTESTER EN MUSIQUE
Les armes de la polysémie musicale
Entre contemplation, contestation et institution

Chapitre 2 AMPLIFIER LA CONTESTATION
La prescription des émotions adéquates
L'exaltation d'un « nous » en mouvement
Critiquer les autorités, déjouer la censure
Les valeurs morales à promouvoir
L’enrôlement des soutiens, la mobilisation des ressources

Chapitre 3 MUSIQUE ET TACTIQUE POLITIQUE
Subversion et altération des conventions musicales
De la répression à l’instrumentalisation politique
De la scène musicale à l’arène politique

Chapitre 4 LE CONTESTATAIRE, L’ARTISTE ET LE MARCHAND
Exutoires musicaux et « moratoires » de la jeunesse
Des vocations artistiques concurrentes

Conclusion HARMONIES ET CACOPHONIES