La musique en colère

La musique en colère

The Sound of Anger

National or revolutionary anthems, folk music of the Irish, Basque, or Kabyle, the civil rights movement in the rhythm of gospel, pacifist songs : no revolt, no social movement, seems possible to have taken place without a musical tradition.

This work analyzes the qualities that make music a powerful auxiliary of collective movements. Throughout the chapters, political leaders use musical arms, thinking of artists who embrace military issues, in the image of Béranger, Joan Baez, The Zebdas, Bob Geldof or the British groups Red Wedge or Rock Against Racism.

To finish, the author makes a full account of the diverse social uses of music, and of its capacity to oscillate between subversive protest and more or less conformist resignation.

Christophe Traïni, Doctor of Political Science, is Master of Conferences in Political Science at the IEP of Aix-en-Provence




Also of interest

Femmes et pouvoir sous la Ve République
De l'exclusion à l'entrée dans la course présidentielle
Women and Power under the 5th Republic
Mariette Sineau

Series

Protest

Subjects

Political Science : Political Life
Sociology : Society

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